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Prairie Patterns: Folk Arts in North
Dakota
By Christopher Martin
"This
catalog ... explores the grassroots layer of North
Dakota's Character through a survey of the state's folk arts. By
focusing on living craftspeople, they show some of the ethnic,
occupational, and community traditions that are strongest today. The
approach investigates patterns between objects and the land by drawing
from the words of the folk artists themselves, visited during fieldwork
from 1986 to 1989..."
"Knowing
more about the origin of an object gives it new meaning and prevents
misconceptions. For example, the amount of time required to make folk
arts in often underestimated. One of Gloria Wilkinson's Indian dolls
takes more than forty hours to make; Mark Hoechst's specialized gun
engravings often require weeks or months of work. It was only after
talking with Connie Redmond that I realized his braided horsehair
headstall, containing approximately 4,500 hairs, took two North Dakota
winters to make. Figuring his time at only minimum wage, Connie
estimated its value of at least $3,000."
"Objects
that might seem simple-the Cree family's woven willow baskets for
example-become much more complex when Francis Cree tells us that a
well-made basket must have an odd number of ribs, proper balance, and
tight weaving for a neat appearance. 'You gotta follow the pattern,'
Francis says, which prevents the look of mass-produced, imported
baskets..."
"Three
things are clear from this study. First, many folk artists, especially
those with years of experience, can eloquently state their attitudes
about process and 'good' design. Second, their words are familiar and
comforting. Their conservative approach to the unknown, preferring
group-approved ideas rather than the untested, reinforces the folk
traditions in each one of us. And third, just as surely as some
endangered folk arts will eventually fade away from the North Dakota
scene, other folk arts will be adapted or revived, and eventually
discovered, if we keep looking for them."
Christopher
Martin, author

Rose
Cree with a variety of willow baskets.

Horsehair
headstall by Connie Redmond.
 
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