NDCA worked with the State Historical Society of North Dakota (SHSND) to secure a permanent art gallery at the SHSND’s Heritage Center and State Museum in Bismarck, North Dakota. The NDCA, in partnership with the SHSND, will use this gallery space to highlight the arts and artists of North Dakota. A new exhibit will be featured each year.
The second exhibit opened on Saturday, January 30, 2016. This exhibit, titled Yggdrasil: The Norwegian-American Carvings of Gaylord “Guy” Paulson, will be on display for one year. The exhibit will feature traditional carvings such as tine boxes, tankards and a kubbestol (Norwegian stump chair).
Gaylord “Guy” Paulson lives and creates in Fargo, North Dakota. His grandparents and their seven children, including Guy’s father, left Norway in 1904 seeking land and opportunity. Guy was born in 1937 to Kristian and Evelyn Paulson and was raised on a farm and ranch in Philip, South Dakota, near the Cheyenne River Breaks. It was from there that Guy’s grandfather and uncles cut Rocky Mountain Juniper trees to make fence posts for their land in the western part of the state. Settled predominantly by Norwegian-Americans, the area was named Haakon County after the popular Norwegian King Haakon VII.
Guy began his education in a one-room schoolhouse, attended high school, went on to earn a Bachelor’s Degree, Master’s Degree, and eventually a Doctorate in Biochemistry. He worked for more than 30 years as a research scientist studying drug metabolism in animals at the USDA Metabolism and Radiation Research Laboratory in Fargo. Yet his informal education, that of Norwegian woodcarving, spans over 40 years. He learned from books, trial and error, and especially by associating with other carvers.
Guy was the driving force behind the building and carving of a full-scale replica of the Hopperstad Stave Church of Vik, Norway, in Moorhead, Minnesota. Stave churches, defined by the use of vertical posts, originally were built in the 1100 and 1200s near the end of the Viking Age in Scandinavia. The documentary about the building of that church, “Building a Dream: The Moorhead Stave Church,” will be available for viewing at the Heritage Center in association with the exhibit. In addition, a publication featuring Guy’s work, and the work’s place within a Norwegian-American cultural framework, is being developed to accompany the exhibit and copies will be available at the exhibit this spring.
The North Dakota Art Gallery Association (NDAGA) and the North Dakota Council on the Arts (NDCA), with support from Starion Bank, organized two exhibits to celebrate the 50th Anniversary of the North Dakota Council on the Arts. The exhibits display the artwork of 50 North Dakota artists, as well as the work of the exhibit curator. One of these exhibits is displayed in the Heritage Center, and the other is a touring exhibit that will travel the state during this anniversary year. A catalog highlighting the works in both exhibits is available via this link. The Heritage Center exhibit will be displayed from October 28, 2016 through April 30, 2017.
The first of the exhibits, valued at nearly $100,000, opened in conjunction with the Heritage Center and the State Museum’s grand re-opening on November 2, after a lengthy and beautiful expansion project. This exhibit, titled God Given: Cultural Treasures of Armenia, will be on display for one year and features the work of traditional/folk artists Norik and Irina Astvatsaturov. (Their name in the Armenian language translates to “God Given.”) Norik, Irina, and their children came to North Dakota as refugees fleeing ethnic and religious persecution from Baku, Azerbaijan.
Their artwork is representative of their heritage, history, and experiences. Norik is a Bush Foundation Artist Fellowship recipient whose work includes ornately created copper and bronze repoussé work with inlaid semi-precious stones – jewelry boxes, crosses, icons, plates, and other items are created by hand. Irina was an art teacher in Baku and learned Russian and Eastern European beadwork as a child and young adult. Her work includes elaborate and colorful beadwork on black velvet – iconographic beadwork, flowers, and birds. Birds are a powerful motif for Irina as they remind her of “people flying away like birds” to escape the life-and-death violence and struggles her family and others from Baku endured.
The exhibit is augmented with an award-winning publication written by the NDCA’s folklorist, Troyd Geist, featuring Norik’s work. In addition, a short documentary created in partnership between the NDCA and Prairie Public will air repeatedly in the Heritage Center and State Museum’s new theater. The documentary explores Norik’s artwork in context of the upheaval in Baku and the contested Nagorno-Karabakh region between Christian Armenians and Moslem Azerbaijanis. Both the publication and the documentary are also titled God Given: Cultural Treasures of Armenia.
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