
Yellow Bird Sr., Monte - Black Pinto Horse
Disciplines: Clay,
Folk/Traditional,
Mixed Media, Painting,
Sculpture and American Indian Art

Monte
Yellow Bird Sr. or better know in the Art world as Black Pinto Horse, best
expresses himself through the use of a collection of vibrant colors,
gradient hues, shapes and symbols of his traditions. His work reflects his
First Nation culture and the applied color imitates the bright, bold
application of Expressionism and the 20th century “Fauvism Movement”. The
overall compositions of both loose and hard-edged images are designed to
create a deep manifestation of culture, faith and love. The symbolism and
representational elements speak emotional silence. His key phrase, “We
are on this earth for such a short time, if you’re going to shine, shine
brightly”, best describes the work of Black Pinto Horse (Monte Yellow
Bird).
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“Night Raid”
23" x 36" - Oils

This piece
is a tribute to Wolf Trail, the artist’s father and the sacred horse
bundles. Wolf Trail’s favorite horses were Blue Roan horses. Seven
virtues depicted as Blue Roan war ponies are dispatched from the lodge
of “The Chief that sits above”. Love, Compassion, Courage, Honor,
Resiliency, Wisdom, and Faith. The large red stripe across the middle
represents the bloodstream of humanity. These seven virtues are on a
journey in the cover of darkness to bring their gifts to the (sáhniŝ)
people. The Northern lights in each square are the spirits from the past
that are lighting the way for the horses. Six faint feathers are
symmetrically placed around the shield; these feathers are symbolic of
the subtle life presence of the six directions. The ribbons hanging
from the feathers represent the male and the female. The shield is
marked with the handprint of the “Holy Father” (atíAx waaRUxti). The
beaded horsehair coming from the handprint is the insignia of the Sacred
Dog (the Horse Nation). |
“Four Moons Passing”
30"x 40" - Oils

Four Moons
Passing is a composition that surrounds its description around the
rights of passage or stages of womanhood and the path with the creator.
The four moons represent 4 stages of life, the new moon-conception,
Crescent moon-childhood, Half moon-adulthood, Full moon-Grandmother. The
Tree of life conveys to lineage of the past, present and the future of
the foundations of our societies. The 4 leaves are the change of life.
the Blue Buffalo is the spiritual and ceremonial representation the
First Nation people, 28 markings on the skull are the cycle of spiritual
cleansing. 6 directions are displayed by 6 squares. The curved white
path is the path that leads to the the center of the creator and his
radiance of love to the world. 2 very small spirit lights, 1 in the
upper red protection color is the you and the other next to grandmother
moon in the blue gentle color is your mother. 4 stripes are the artist's
trademark to represent being one with creator. |
“The Journey to the Lodge
of the Whistles”
23" x 36" - Oils

The
Lodge or House of the Whistles, This is the Arikara translation for the
Sundance Ceremony.“ The Arikara claim that this was a hard dance, for
they had to dance four days and nights without eating or drinking.
Strikes Enemy (Arikara) danced this dance several times,” Murie. The
Ceremony consisted of fasting, prayer, dancing and sacrifice for the
benefit of the People. This depiction by Black Pinto Horse is of six
horses (sacred dog) on a journey to the Lodge of the Whistles; each of
them having unique parts to represent the people. The lead purple paint
horse has one Eagle feather from its mouth - the one Truth. The Second
Black Pinto Horse with the Red hand print on the shoulder - Touch the
Enemy and surrounded by mystery. The Third Green Paint Horse with the
shield marked by the buffalo is the strength and protection – spiritual
growth. The Fourth Blue Paint Horse with the four feathers and the sign
of lightning – from heaven and the elements from all four directions.
The Fifth Green Paint Horse with the spear and two Eagle feathers –
symbolize justice of the two worlds. The Sixth Blue Paint Horse is the
pure nature of innocence. All six Horses are marked on the nose with the
four directions and a circle around their eyes to better see the enemy.
The Bluish/Green diagonal Eagle feather with the red hand print on it
represents the unbalance ness of our society as spiritual based people.
The hand print is the ownership to our own unbalanced status and the
responsibility to change this through prayer and sacrifice. The Tree of
life represents both the enemy of this ceremony as well as the past,
present and future nations. The Four Squares represent the directions
and the small white dots are the pure nature of these directions. Spirit
lights of the relatives that have passed on, shine on a biomorphic
background of chaos as they pity us in this life. |
Monte Yellow Bird Sr. is an Arikara/Hidasta artist who
grew up in the town of White Shield, North Dakota. His love of color, the
faith he learned from his mother and images from his American Indian/First
Nation heritage are all influences helping to create his artwork. Drawing
and painting came naturally to him. At a very young age, as soon as he was
able to hold a pencil, Monte was drawing. His early Influences included his
Sister Nelrene, Brothers Charles, Michael and the Nurses at the Garrison
Memorial Hospital. Monte’s choice to attend the Institute of American Indian
Arts in Santa Fe NM came from the influence of a math teacher in the upward
bound program at UND. Black Pinto Horse’s educational influences include
Walter Pielh Jr., Linda Olson, Bill Harbort, Wayne Tollefson, Dr. Kathy
Cummings and the Institute of American Indian Arts experience.
Black Pinto Horse attended NDSU and majored in History
Education, Art Minor, and graduated in 2002 from Minot State University with
a BA in the Fine Arts. His focus on collaborating “First Nation” Images with
20th century “Expressionism” has given him a better understanding of himself
and has been the key to establishing his own style of works. His work is a
reflection of pride for the First Nation People and a respect for life. His
use of color imitates the bright, bold application of Expressionism. His
overall compositions of both loose and hard- edged images are designed to
create a deep manifestation of culture, faith and love. The symbolism and
representational elements speak emotional silence.
Oil painting is his first love and much of his recent
work is in this medium, but he also creates works in acrylics, watercolor,
printmaking, and ceramics mediums. Sculpting is the most comfortable for
him. It allows him to work with Mother Earth, the essence of life. When a
person works with the earth, the importance of life and all its creatures
reveals itself. Its life Creator has made possible and blesses each day in
unique ways. Mother Earth allows us to walk on and with her, making our
paths possible and keeping our footsteps safe.
Contact Monte Yellow Bird Sr. - Black Pinto
Horse:
Devils Lake, ND
701-230-1289
blackpintohorse@hotmail.com
www.blackpintohorsefinearts.com


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